Anthony Heald, himself a Jewish convert, playing Shylock the Jew. Posted on Shakespeare Is. |
"Shylock the Jew (from Shakespeare's 'The Merchant of Venice') is, like Harriet Beecher Stowe's Uncle Tom, often viewed as a two-dimensional racist stereotype. Shylock himself, however, is a much more complex character, allowing for some freedom of interpretation: is he truly a 'dog jew,' or is he 'like [us] in the rest?' (2.8.14, 3.1.67) Understanding how Shylock has been interpreted throughout history and across different cultures gives us a window into ideas about race and racism have changed through the centuries."
I posted the above as my "tweethis" in a couple different places. I, of course, posted this on Facebook, as well as the forums for a club I belong to (expanding my circle of friends). I only posted it a few hours ago, so I haven't gotten a tremendous amount of feedback yet. What I have gotten, though, has been very valuable.
Of course, several people advised that I be more specific. I knew this was an issue, and I plan on making my topic more specific as I start my research this week.
I was also advised that I narrow my topic, as:
Again, I plan on narrowing my topic as I commence research.
One person advised I remove the "Uncle Tom" reference, as he's not a major component of paper. However, I think I'm going to keep it; I think it helps frame the argument for non-Shakespearean audiences.
What really helped, though, was one particular post, where one of my friends mentioned a specific production of The Merchant of Venice, performed at the Ashland (Oregon) Shakespeare festival, in which Shylock is played by Anthony Heald, a Jewish convert. Specifically:
This got me very interested in this particular production, as this is about how I interpreted the play. However, "Bringing the audience to tears?" That's even more extreme than I imagined that speech. When I sit down to do research this week, I'm going to see if I can dig up more on this production, and I'm also going to email Mr. Heald to see if I can get his perspective on this problem. I'm also interested in how, specifically, he portrayed Shylock, as this summary makes it sound like he de-emphasized a lot of the more negative elements of the character.
I plan on posting more as I get more feedback. Watch this space for details! :)
What group is this forum for? I'm glad they were able to steer you some particular ways. I still think the topic is a bit broad, but I hope you find some avenue to pursue with Mr. Heald. Maybe write on Jews performing Shylock? That could be interesting.
ReplyDeleteDavid, that is a real lucky strike finding that production. I also liked what you were saying about Shylock pre- and post-Nazi Germany today--maybe part of your paper could be a larger discussion on how modern trends push actors and audiences into different interpretations, sometimes (as it seems from this Oregon production) almost despite the text itself.
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