Long, boring wall of text after the jump.
Showing posts with label posted by David. Show all posts
Showing posts with label posted by David. Show all posts
Saturday, April 20, 2013
The Story Of David's Paper
The idea for my paper began when I was reading through The Merchant of Venice for the first time. When I came across Shylock's monologue in 3.1, I was floored. At this point, it's widely known that Antionio is going to default on his loan to Shylock, and Shylock is fiercely defending his right to a pound of Antiono's flesh--the agreed-upon penalty for defaulting. Someone asks Shylock why he wants the pound of flesh in the first place, and Shylock responds:
Saturday, April 13, 2013
Shylock and the Shoah: "The Merchant of Venice" on the Nazi-era and Postwar German Stage
I am finally done with this paper, and I am quite proud of it. That hasn't happened for some time.
I've posted it on Google Docs. Enjoy!
I've posted it on Google Docs. Enjoy!
Friday, April 12, 2013
Not a Submission: Need some Last-Second Feedback
I'm finished with the first draft of my paper, including a new, much better thesis. I'm gonna come back to it in a little bit--but I'm concerned about my conclusion. I just want to make sure that it doesn't come across as racist, etc. If you could please read it and post a comment, I'd be much obliged.
Monday, April 8, 2013
Where to from here?
After getting some feedback on my rough draft, I think I have a slightly better idea where to go from here.
Saturday, April 6, 2013
Comments on Nyssa's Paper
Nyssa, I though you did a great job with your paper. I only have one or two things to say. I couldn't find a good image to go with them, though (I already used Thumbs and Ammo, and I promised myself I'd stop using so many animated gifs), so I think I might not post an image this time.
Paul's Draft: Great Stuff. Needs Some Work.
Paul has been writing on a topic close to my heart, and I've been following his paper somewhat closely. Frankly, I wasn't sure he could pull it off--but he did, and did it well.
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| Great argument, Paul! Thumbs and Ammo. |
However, I felt that his paper suffered from some organizational issues, which I will detail below the jump.
Friday, April 5, 2013
Rough, rough draft.
I still need a conclusion, and I need some SERIOUS editing, but here's a rough draft of my paper.
Whoops.
I somehow missed the schedule for this week: I knew what we needed to do, but not when we needed to do it by.
I will post my draft sometime tonight. If I could have you guys read and comment on it when I do, that would be wonderful.
I will post my draft sometime tonight. If I could have you guys read and comment on it when I do, that would be wonderful.
Saturday, March 30, 2013
Another Stab at My Thesis
I decided to tweak my thesis, and decided to make another video to help me refine my ideas. I'd appreciate it if you watched this and gave me some quick feedback.
(I just noticed that the last couple seconds are cut off. That's supposed to be "applied to our plays today")
Friday, March 29, 2013
Social Proof Report, Pt. 1
On Monday, I asked Professor Burton what he thought about me adjusting my topic to focus more on Nazi-era and postwar production of Merchant of Venice, and he thought it was a good idea. I think this will help focus my paper, and make it a little easier for me to talk about my research.
Unfortunately, this new approach has made things a little difficult on the social end of things, and it took me a while to figure out how to respond. No one I know has studied German theater history. I also can't really post on Good Reads, because my topic is a little too focused for that site.
Nevertheless, I've made a few stabs.
Unfortunately, this new approach has made things a little difficult on the social end of things, and it took me a while to figure out how to respond. No one I know has studied German theater history. I also can't really post on Good Reads, because my topic is a little too focused for that site.
Nevertheless, I've made a few stabs.
David's Rather Uninteresting Annotated Bibliography.
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| A puppy learning to roll over. (incidentally, about a third of my CC searches return My Little Pony results. Anyone else have the same problem?) Via. |
Thursday, March 28, 2013
Lame, I guess?
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| Crash and Burn. Creative Commons License (finally found one!) |
On one hand, I'm kinda let down; on the other, I'm relieved. I've been stressed about this paper recently, and it feels good to know that, at this point, I'm not going to have to read it in front of hundreds of intellectuals that do this kinda thing for a living. On the other hand, I would have loved to go to the conference, and it would have been a huge boost to my career (especially since I'm still an undergrad).
Overall, though, this has been a positive experience. Having to think about how to fit my paper to the conference has helped me develop my idea further, and given me a more clear direction to move in. Also, the conference organizers (Fred and Monika) were very kind, and I'm thinking about asking them if I can resubmit a proposal for my reworked paper topic, which lines more closely with their conference. I see now how having to submit our papers is an important part of writing them: it helps us ensure that we have good topics, and that we're doing a good job.
In any case, it's time to follow the advice of a very wise man:
| From Disney's The Rescuers. Screencap found via Google Images. |
Tuesday, March 26, 2013
"Thou call'dst me a dog": Flexibility in the text
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| Small changes, big difference. From Cracked. |
I've been looking up several interpretations of the text, most notably Anthony Heald's interpretation of the text, as well as (a summary of) the Nazi-edited script. In both cases, minor changes can drastically change the play.
Friday, March 22, 2013
"Have I submitted a revised final draft to the publication I've identified?": CHECK
Alternate Title: Oh My Gosh What Have I Done?
While puttering around for a publication venue this morning, I found a call for papers for the 8th International Conference for the Tudor Symposium, to be held this summer in England. Their topic was about the appropriation and adaption of Tudor literature in different cultures, something that lines up with my topic nicely. I checked the deadline, and, lo and behold, the deadline for submitting proposals is today! So, I typed up a quick proposal and sent it off.
Then, I sat back in my chair and stared at the screen. It took a few seconds for it to sink in: Oh my gosh, I though, I've just submitted my paper to an international conference. In ENGLAND. What have I done?
While puttering around for a publication venue this morning, I found a call for papers for the 8th International Conference for the Tudor Symposium, to be held this summer in England. Their topic was about the appropriation and adaption of Tudor literature in different cultures, something that lines up with my topic nicely. I checked the deadline, and, lo and behold, the deadline for submitting proposals is today! So, I typed up a quick proposal and sent it off.
Then, I sat back in my chair and stared at the screen. It took a few seconds for it to sink in: Oh my gosh, I though, I've just submitted my paper to an international conference. In ENGLAND. What have I done?
In Which I Discover The Insufficiency Of My Sources
So, I sat down to write my paper, and realized that all the wonderful research I had wasn't actually all that helpful. I have four major sources: an article and a chapter from a book about Nazi Germany, the script to a 17th century German adaptation of the script with some attached commentary, and an article that gives a broad overview of many post-war productions. If I want to write a ten-page paper on this topic, I need to get more information.
Either way, I've managed to throw together three-and-a-half pages. This consists of an introduction, two pages about the Nazis, and one page of poorly-developed, poorly-supported ideas. Hit the jump to keep reading.
Either way, I've managed to throw together three-and-a-half pages. This consists of an introduction, two pages about the Nazis, and one page of poorly-developed, poorly-supported ideas. Hit the jump to keep reading.
Thursday, March 21, 2013
Shakespeare in Germany: David's Pitch Video
Here's my "pitch" video for my paper. Making this video really helped me to articulate and refine my ideas, and now I think I have something like an introduction/thesis.
(also, the casual pose is due to layout constraints of my apartment. I considered finding a pipe and donning a suit jacket, but I thought that might have been a little much)
Tuesday, March 19, 2013
Returning the Favor: Disability in Shakespeare
A few days ago, Nyssa very
generously did some research to help me with my topic. This week has been a
little busy for me, and I haven't gotten a chance to go back and look at the
articles for me just yet, but even her summaries of the articles she found helped me out. I thought I should return the favor. She's already been very thorough in her research, so I though I'd approach it from a different angle.
Monday, March 18, 2013
"To Be Or Not To Be": Special Performance This Weekend
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| To Be Or Not To Be: that is, literally, the question. Sample illustration from the Kickstarter page. |
Why is this relevant? Well, there's going to be an actual play of "To Be Or Not To Be" performed this weekend--and it's going to be broadcast over the web! Like the book, it will be Choose-Your-Own-Adventure, and both the live and the internet audiences will be able to participate. If it's anything like the samples, it promises to be fun, and most importantly, FREE.
This is also a great opportunity to look at how Shakespeare is being reinterpreted, especially in the context of new media. If you're interested, check it out! It will be broadcast live from Korea, this Saturday starting at 7 PM. Check out the website for details!
Friday, March 15, 2013
David's Wonderfully Captivating Illustrated Annotated Bibliography
Working Thesis:
"Examining how Shylock has been adapted and appropriated by various cultures provides vital insights into the cultures themselves."
Social
Graph
- Jonelle: my stepmom. She was an English major in college, and loves to hear me talk about my occasionally out-there ideas. She will be a good person to bounce my paper off of.
| Shylock, the (not) Jew, from the online video game Maobingi. Source. |
- Stephanie: an online friend of mine. She was the one that suggested I take a look at the Oregon Shakespeare Festival's production of Merchant of Venice, and mentioned some specific production choices. Given her interest in the topic, I think she could be an excellent resource.
- Nyssa: from class. Nyssa and I have been interested in each other's projects almost since the beginning. Since we're classmates, I can get feedback about how well I'm fulfilling the requirements for the project.
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