So after a bunch of unforeseen and unfortunate circumstances, he is a too brief, too rough draft or mere shadow of what my potential paper will be. More secondary research to be done, incorporation of primary quotes to come.
Lauren Remington
Dr. Burton
English 382
22 March 2013
Creative Title
Although
all of Shakespeare’s plays are unique in their own way, and brilliant in style
and ability to cater to the masses both then and now, he does seem to have a
frame or mold which has worked effectively and which also makes it possible to
relate between the plays characters and ideas, particularly his use of
disguises. In his play Othello, Shakespeare, contrary to using
disguises, uses the character Iago, who easily transforms himself with each
character he talks to, absorbing new identity after new persona in order to
reach his dark and also obscure ends. It
is never made completely plain why Iago is motivated to the deaths and despairs
he causes and his chameleon like nature make him seem like lass of a human
character and more like a series of personas adopted into one individual to
serve a rhetorical purpose and provide plot.
Iago's change in character and ability to appease everyone he talks to
is directly relateable to others of Shakespeare's characters who easily don disguises
to fool their peers because his own change in character has a similar effect on
his fellows. Carl Jung, well-known
personality theorist and psychologist, was a contemporary of Sigmund Freud and
adopted some of Freud’s ideas to develop a theory in which the parts and
attitudes of the unconscious identity, instead of battling each other to take
control, are working to have unity within the individual. Jung's theory of the unconscious and its
contentious attitudes reflects well the way in which Shakespeare's love of
disguises in his characters and even more specifically in Iago's character who
jumps from character to character to fit his motivations.
-explicit analysis of Iago’s character
-detailed analysis of Jung’s theories
Iago
is a personified version of this theory.
The unconscious attitudes fighting for prominence are physically
portrayed in Iago’s interactions. Jung’s
archetypes or unconscious is “a universal thought form or predisposition to
respond to the world in certain ways,” (Engler 74). Iago seems to have internalized a number of
responses and personas which Jung further refers to as “the social role that
one assumes in society and one’s understanding of it,” (74). Iago is a selfish self-centered character who
functions in society through the scope of things that will best benefit him.
I am working on a more explicit outline of my paper and specific pieces of Jung's theory that I want to relate back to Iago's character. I already have a specific scene in mind that illustrates Iago's character and am going to spend some time analyzing it in relation to Jung's theories.
No comments:
Post a Comment