Here is the abstract that I submitted:
Shakespeare's Othello, one of Shakespeare's most
popular tragedies, showcases the works and cunning of one well-known and even
well-loved villains, Iago. Iago is a chameleon of a character easily capable
of manipulating those around him to meet his ends. All the
cleverness and cold calculation homaged, he lacks any definitive motive or
driving purpose, merely revenge on the seemingly guiltless Othello. This
determined denial of a motive and extremity of action reflects well Carl Jung,
a well-celebrated personality psychologist, and his theory on personality,
specifically the "shadow" archetype. The shadow is an amoral,
metaphorical storage center of humankind's propensity to do evil, and Iago seems
to be all shadow and all show. He puts on a good display of variation in
character, but he seems driven only by muddled revenge. Jung's theories,
put against Iago's character, reveal him to be a character of depth and have a
role in the play and in the overall themes that extends far beyond the
contributions of simple stock characters.
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ReplyDeletecongrats! I think Paul is submitting to the same venue, right?
ReplyDelete