Bouncing around ideas for Beautiful Bailey

So a big part of reality tv - especially The Bachelor and The Bachelorette, among other things - is gender roles, right? I found a JSTOR article about gender roles in Shakespeare. Maybe this would be interesting for you! 

Where are the Mothers in Shakespeare? Options for Gender Representation in the English Renaissance

by Mary Beth Rose

Finding Connections: The Winter's Tale

I have been looking at The Winter's Tale for the last two days for close reading. While I am not finding much, I am finding a few interesting parallels between Acts I-III and Anne Boylen's fall. From my studies of the Tudors, as Henry VIII gets closer to removing a wife that is giving him a lot of trouble there seems to be an increase in tension in the royal court. I sense that Shakespeare is trying to construct a similar rising tension as Leontes' obsession with Hermione's supposed infidelity increases. In Act I Scene II, Leontes asks Camillo a series of rhetorical questions about the queen's supposed behavior:

Is whispering nothing? Is leaning cheek to cheek? is meeting noses? Kissing with inside lip? stopping the career Of laughing with a sigh?—a note infallible Of breaking honesty—horsing foot on foot? Skulking in corners? wishing clocks more swift? Hours, minutes? noon, midnight? and all eyes Blind with the pin and web but theirs, theirs only, That would unseen be wicked? is this nothing?

Shakespeare, William (2011-09-07). The Complete Works of Shakespeare (Kindle Locations 40812-40819). Latus ePublishing. Kindle Edition.

I looked up some terms on the Silvia Rhetoricae website. This type of rhetorical behavior is called excusiato, or stirring others to anger by one's own vehement feeling. This also demonstrates amplification, or the arrangement of words or clauses in order of increasing force. Notice how Leontes goes from "whispering" to touching to kissing to secret meetings, increasing the severity of his accusations by increasing the severity of Hermione's supposed behavior. We've heard about the steps leading to from smaller sins to bigger ones. This small passage by itself is a symbol of Leontes' increasing obsession.  

The chief cause of Anne Boylen's fall from failure was her inability to produce a son after the birth of Elizabeth. Over Christmas Break I read The Six Wives of Henry VIII by Alison Weir, which went into detail on this issue. Henry was already apparently in a relationship with Jane Seymour during one of Anne's later pregnancies. At eight months, Anne miscarried, and the fetus was developed enough that they could tell it would have been a boy. Henry increasingly lost interest in Anne and decided to remove her. Weir's description--as well as other descriptions I've read of Henry VIII when he was in one of these moods--describe Henry as a brooding and obsessive, willing to believe anything he convinced himself, and once he was set on doing something nothing could stop him.

Having taken years to depose of Katherine of Aragon. According to Weir, Henry wanted Anne out of the way quickly. He trumped-up charges that she was having affairs with other men (Leontes deposed Hermione for the same reason) and that Elizabeth and her miscarried children were not his. Anne was sent to the Tower of London, put on trial (much like Hermione, although neither trial could hardly be called "just"), and she was executed.

There are one or two small connections to the Tudors I have found in this play that I also believe support my case, but it would take up a lot of writing. I am thinking about narrowing down my topic to The Winter's Tale and Anne Boylen. Thoughts?

Reviewing My Interests: Shakespeare's Women on Film

I went through the posts for our class forums and found that I have gravitated most toward women's issues in and film adaptations of Shakespeare. I've been tossing around a few ideas over the past few days, and I would like some feedback on them:

1. I could expand my original paper on Kate in Taming of the Shrew to include the Elizabeth Taylor/Richard Burton film. I talked with Dr. Burton about how to make my literary analysis paper stand out more as a piece of scholarship in my midterm evaluation meeting, and it would be fun to rewatch that film and analyze Taylor's portrayal of Kate, especially in light of her own relationship with Richard Burton.
2. I could look at Emilia from Othello--she's the wife of Iago and therefore occupies an interesting role in the play. I don't have much work at all done on this option, and I'm not sure what film adaptation I would pair with it, but I have gotten this idea vetted through Facebook.
3. I could return to the King Lear 2008 adaptation that we recently watched and analyze how the casting and costuming of the daughters contributes to or undermines their portrayal as evil or good. I talked about this a little on the class forums, mentioning how I thought some of the wardrobe choices for the daughters were bizarre (strapless dresses?) and almost asked the audience to judge a woman's character based on how good they looked in the revealing dresses. I've been excited about this idea lately, but I would still like feedback.

What do you guys think? What would make you most excited to read my paper?